Drawing Buildings Arrangement

Frank Stella

Frank Stella - Untitled 1967

From Black Series

Lithograph on Paper

Frank Stella is an American artist born in Massachusetts in 1936. I began looking at Frank Stella's Black Series, particularly his use of lines. The first thing that strikes me about the lines is how you can see that they have been done without the use of a ruler, as you can see that there are slight imperfections. It is thought that Stella chose to do this as a nod to the Abstract Expressionism which was prominent at the time.  

John Virtue

John Virtue, London Paintings Series, 2005.

Shellac Black ink, White paint on Canvas.

John Virtue is a English painter who is well known for using a monochrome colour pallet. In his paintings you can see that there are glimpses of of buildings in the background amongst the chaos, this is something which I would like to incorporate in my own paintings. I think this gives a sense of ambiguity to the paintings, leaving you trying to work out what the painting is all about.

Henri Michaux

Henri Michaux was a Belgian-born French poet and artist. He spent most of his time doing poetry, and saw drawing and painting as 'a release from words'. The piece that I studies was an untitled Ink Drawing From 1963, which I saw in the Tate Modern gallery in London. I think the marks look like Calligraphy in a way, which is no coincidence as he created his own alphabet in 1927, as well as doing a lot of writing with his poetry. He used sticks to drag the ink repeatedly across the surface, he described this style as "Nothing but rhythm" and that he was "fighting with the blots". During the time of this painting he experimented with the drug 'Mescalin' which has similar affects to LSD. The results were very obsessive and detailed, as you can see it sways upwards, kind of like when you write without looking at the page. The exhibition catalog from 1968 read "Finally liberated from language, Michaux would throw, blow and drag ink around the paper, releasing his inner turmoil". He was a troubled man, his wife died in 1948 and he suffered from Anorexia, which could have kick-started his drug use.

Contrast Painting

Painting Leicester Continued

 

Having done my large emulsion painting on Fabriano paper. I used sections of my drawings to form the structure of the painting. I applied the emulsion paint very quickly using large household brushes, a sponge, a squeegee, and basically anything which I had lying around at the time. This time I added very small glimpses of colour which provided a focus point. I encouraged drips by using a large amount of paint for each stroke. Amongst the chaos I showed some constraint by using masking tape in some small sections, peeling it back to show a sharp edge which looks like a section of a building. I liked the contrast this created. My tutor recommended to look at the artist John Virtue, specifically his Black and White London series.

Large Fabriano Painting

Black and White Emulsion on Fabriano Paper

70 x 100" approx.

Having studied the urban environment around Leicester I this large emulsion painting on Fabriano paper. I used sections of my drawings to form the structure of the painting. I applied the emulsion paint very quickly using large household brushes, a sponge, a squeegee, and basically anything which I had lying around at the time. I encouraged drips by using a large amount of paint for each stroke. Amongst the chaos I showed some constraint by using masking tape in some small sections, peeling it back to show a sharp edge which looks like a section of a building. I liked the contrast this created. My tutor recommended to look at the artist John Virtue, specifically his Black and White London series.